Waigo: Women’s contribution to arts has predominately been as the subject during creation

Mon pi Mon was very excited to hear about the female visual arts exhibition Aphra Arts Organisation was putting together as part of Uganda’s 54th Independence anniversary. The pop-up exhibition will feature the Future Female Visual Artists (Kampala) collective of female visual artists age 19-24 years old, who are based in Uganda. In celebration of Ugandan Independence Asiimwe Caroline, Guma Ruth, Nalungo Sharifah, Namutosi Martha and Piloya Irene will be showing new works and others in progress at 32º East, Ugandan Arts Trust in Kansanga on Oct 7th.
We sought out Artistic Director and Founder, Yvonne Waigo, and asked her some questions:

Hola

Too many men hold the belief that when a woman says no, what she really means is that she needs to be convinced. On the most basic level, this is an insult to the woman’s intelligence and sense of ownership over her own body. But even more than that, these kinds of encounters underline how much power men assign both to themselves and to other men (however fictional).

Somi offers easy listening and intelligent discourse

Indeed, we are only witnessing the evolution of a musician between two continents, and whose music shades light on the in-between of Africa and America. Her live performance at the historical Village Vanguard in New York, includes a favorite of my Bob Marley songs, ‘Waiting in Vain’. In a stripped-down arrangement with only guitar and voice, it brings the listener to hear Marley’s huge vocal lyricism, and just how intimate his work was. In her own rendition, we recognize the immediacy of Somi’s vocal abilities and her interpretative powers–the mark of a real jazz singer.